<EXTRAMISSION  [THE TRILOGY] 2005-2020>

2

<LINDSAY SEERS>

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Materials, a video PAL projection with surround sound and subwoofer, 2 video works for monitors with headphones,  2 plinths and a bench (all videos are screened together and looped). The films are housed in a fabric tent on a wooden structure with a fabric screen on a wooden frame.

Rugby City Art Gallery Collection

Extramission 2 (The Trilogy), 2005-2020 Extramission 2, Necromancer, The Projectionist

Extramission 2 (The film) 15 minutes
The larger projected  film in the installation covers Seer’s attempts to become a projector. This seems to be the answer to her problems of living life as a camera. Her return to Mauritius with her mother, to find a missing house from her childhood, raises questions about the stability of memory and the impossibility of fully understanding the past. Her idea to give up the past brings on her activities as a projector – to move forwards in time emanating light.